Catalog
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| Issuer | Uncertain Eastern European Celts |
|---|---|
| Year | 300 BC - 201 BC |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Silver |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Plain |
| Mint | Log in to see details |
| Mintage | ND (300 BC - 201 BC) |
| Additional information |
The "Zangenlorbeer" — literally "tongs laurel" — designation refers to a specific die-cutting convention used by Celtic die engravers in the eastern Balkan and Danubian workshops, where the laurel wreath elements were rendered with a characteristic pincer-like treatment derived from, and progressively abstracting, Macedonian prototype coinage. These workshops had no centralized mint authority; production was tribal and episodic, likely tied to raiding wealth and mercenary pay flowing back from Hellenistic campaigns in the south. Attribution to a specific group remains unresolved, with Göbl's classification system grouping several stylistically related but geographically dispersed die families under shared plate references.