Каталог
| Эмитент | Choresmia (ancient) |
|---|---|
| Год | 501-601 |
| Тип | Standard circulation coin |
| Номинал | |
| Валюта | |
| Состав | Silver |
| Вес | 5.44 g |
| Диаметр | 29.05 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | Vainberg#B I , Zeno cat#339634 |
| Описание аверса | Crowned bust facing right. |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | King on horseback right; behind, `swan-shaped` tamgha |
| Письменность реверса | |
| Надписи реверса |
twtwhs MLK` (Translation: King Tutukhas) |
| Гурт | Plain |
| Монетный двор | |
| Тираж |
ND (501-601) - - |
| ID Numisquare | 7038862100 |
| Дополнительная информация |
Historical Context: This Tetradrachm, issued by Tutukhas during Choresmia's Late Middle Period (501-601 CE), reflects a fascinating era of local autonomy in a crucial Central Asian region. Following the decline of Sasanian dominance, Choresmia saw the rise of local dynasts like Tutukhas, who asserted their sovereignty through coinage. Despite the "Tetradrachm" denomination, its 5.44-gram weight indicates a distinct local silver standard, diverging significantly from classical Attic weights, likely reflecting regional economic realities and a local reinterpretation of monetary systems.
Artistry: While specific engravers are typically unknown, the coinage of Tutukhas embodies a unique Central Asian stylistic school. Designs often blend Hellenistic, Sasanian, and indigenous motifs, characteristic of Choresmian numismatic art. The obverse commonly features a stylized portrait of the ruler, legitimizing his authority, while the reverse might display a local deity, a dynastic emblem, or an equestrian figure. The artistic execution, though robust, reflects localized minting traditions, prioritizing symbolic clarity over refined classical detail.
Technical/Grading: Technical strike qualities for this Choresmian Tetradrachm would exhibit typical ancient minting variations. High-points for wear and strike include the ruler's facial features, particularly the nose and crown, and intricate details of the reverse device. Planchet preparation often results in irregular shapes, and some off-centering is common. The strike, while generally adequate for rendering the primary designs, may show areas of flatness or weakness, especially on the edges, due to inconsistent striking pressure or worn dies.