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| 発行体 | Antioch ad Meandrum |
|---|---|
| 年号 | 90 BC - 60 BC |
| 種類 | Standard circulation coin |
| 額面 | Tetradrachm (4) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 16.66 g |
| 直径 | 29 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | HN Online#1530 |
| 表面の説明 | Laureate head of Zeus right; dotted border. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Eagle standing to left on thunderbolt; ANTIOXEΩN in three lines in right field, ΣOΛ in left field; all within circular meander pattern. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | ANTI OXE ΩN ΣOΛ |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (90 BC - 60 BC) - - |
| Numisquare ID | 7452980180 |
| 追加情報 |
Historical Context: This Tetradrachm, issued by Antioch ad Meandrum between 90 BC and 60 BC, represents a fascinating period of late Hellenistic autonomy amidst growing Roman influence in Anatolia. The city, located in Caria, chose to feature Solon, the revered Athenian lawgiver, on its coinage. This choice underscores a strong civic identity and an aspiration to the ideals of wisdom, good governance, and classical Greek heritage, rather than depicting a local ruler or a contemporary political figure. It highlights the enduring cultural impact of foundational Greek thinkers centuries after their time.
Artistry: The engraver, though unnamed, worked within the established Hellenistic artistic tradition, likely drawing inspiration from existing sculptural representations of Solon. The portrait would aim for an idealized yet recognizable depiction, emphasizing Solon's sagely wisdom and intellectual gravitas. Hellenistic portraiture often sought to convey character, and this rendering would have been executed with a keen eye for detail in the hair, beard, and facial features, reflecting the high standards of numismatic art prevalent in the Greek cities of Asia Minor during this era.
Technical/Grading: This silver tetradrachm adheres to the Attic weight standard, weighing 16.66 grams and measuring 29 mm in diameter, indicative of careful production. For optimal grading, one would look for a strong, centered strike, ensuring full detail on Solon's high-relief features, particularly the forehead, nose, and the intricate strands of his hair and beard. Evenness of strike across the flan, minimal die wear, and a well-preserved surface free from significant planchet flaws or post-mint damage are crucial indicators of a high-quality specimen.