Tetradrachm Reiterstumpf Type

İhraççı Burgenland Celts
Yıl 200 BC - 101 BC
Tür Standard circulation coin
Değer Tetradrachm (4)
Para birimi Drachm
Bileşim Billon
Ağırlık 8.89 g
Çap 20 mm
Kalınlık
Şekil Round (irregular)
Teknik Hammered
Yönlendirme Variable alignment ↺
Gravürcü(ler)
Dolaşımda olduğu yıl
Referans(lar) Kostial#745, Göbl Kelt#Pl. 48 469/4
Ön yüz açıklaması Celticised, beardless and pearl-diademed head to right.
Ön yüz yazısı
Ön yüz lejandı
Arka yüz açıklaması Rider on horseback to left, cloak billowing behind; pellet-in-annulet above, groundline below terminating in torque-forms.
Arka yüz yazısı
Arka yüz lejandı
Kenar
Darphane
Basma adedi ND (200 BC - 101 BC) - -
Numisquare Kimliği 1508132820
Ek bilgiler

Historical Context: The Tetradrachm Reiterstumpf Type was issued by the Burgenland Celts, 200-101 BC, during the Late La Tène period. This era witnessed significant tribal movements and cultural exchange in the Pannonian region. Celtic groups, likely Scordisci, interacted with Dacian, Hellenistic, and Roman influences. This coinage reflects the Burgenland Celts' economic autonomy and distinct regional identity, adapting Greek prototypes into a unique indigenous currency amidst profound geopolitical shifts.

Artistry: This coin's artistry exemplifies the abstract, stylized nature of Late La Tène Celtic numismatic design. The anonymous engraver followed a distinctly Celtic stylistic school, departing from classical naturalism. The obverse features the "Reiterstumpf" (rider's stump), a highly fragmented, symbolic depiction of a horse and rider, reduced to essential forms. The reverse typically presents an equally stylized human head, derived from Macedonian prototypes, reinterpreted with flowing hair and exaggerated features, showcasing indigenous re-imagination.

Technical/Grading: Struck in billon, 8.89 grams, 20 millimeters (Kostial#745, Göbl Kelt#Pl. 48 469/4), this coin exhibits typical characteristics of Celtic debased tetradrachms. Billon alloy often yields a granular surface prone to corrosion. Key high-points for strike and wear include the central elements of the abstract rider on the obverse and prominent facial features and hair on the reverse. Due to rudimentary Celtic striking, a full, even strike is rare; numismatists prioritize clear rendering of the distinctive stylized motifs.

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