カタログ
| 発行体 | Kings of Epeiros |
|---|---|
| 年号 | 278 BC - 276 BC |
| 種類 | Standard circulation coin |
| 額面 | Tetradrachm (4) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 16.63 g |
| 直径 | 30 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | BostonMFA#944 Lockett#1650 , AMB Basel#211 , HGC 3.1#261 |
| 表面の説明 | Head of Zeus Naios of Dodona left, wearing oak-wreath; below neck truncation, A. |
|---|---|
| 表面の文字体系 | Greek |
| 表面の銘文 | A |
| 裏面の説明 | Dione seated half to front on throne, holding transverse sceptre in right hand and raising himation with left over shoulder. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | ΒΑΣΙΛΕΩΣ ΠΥΡΡΟΥ |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (278 BC - 276 BC) - - |
| Numisquare ID | 1078694170 |
| 追加情報 |
Historical Context: This silver tetradrachm was struck during the reign of Pyrrhus I of Epeiros (278-276 BC), specifically from the mint at Locri Epizephyrii in Magna Graecia. It signifies his ambitious, though ultimately unsuccessful, endeavor to establish a Hellenistic kingdom in the West, mirroring the Diadochi. This coinage financed his extensive military campaigns against Rome and Carthage, serving as a tangible symbol of Epeirote power and influence in southern Italy, reflecting a period of intense geopolitical struggle.
Artistry: The design of this tetradrachm embodies the refined Hellenistic artistic tradition. While a specific engraver is not explicitly identified, its high artistic merit suggests a master die-cutter. Obverse designs often feature a majestic, idealized portrait, frequently Zeus Dodonaeus, reflecting Pyrrhus's ancestral claims. The reverse typically depicts a goddess like Dione, Pyrrhus's ancestral mother, enthroned and holding a sceptre, rendered with flowing drapery and classical poise, showcasing the sophisticated sculptural qualities of the era.
Technical/Grading: This substantial silver tetradrachm, weighing 16.63 grams and measuring 30 millimeters, adheres to the Attic standard. High-points for wear are typically on the highest relief areas: the hair and forehead of the obverse deity, and the knees, face, and drapery folds of the reverse figure. Strike quality is generally robust, often exhibiting broad, well-centered flans and strong relief, though minor off-centering or die wear can occur. The fabric typically reflects sophisticated Hellenistic minting practices.