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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Highly stylised rendering of Zeus Aëtophoros enthroned to the left, the deity's body reduced to an angular, abstracted form consistent with Eastern Celtic artistic conventions derived from the Macedonian prototype of Philip II and Philip III. The god's outstretched right hand proffers an eagle, while the left hand grasps a long sceptre; the throne is rendered schematically beneath the figure. A crescent or curved symbol appears in the upper left field, and a series of linear marks occupies the right field, both likely derived from degraded Greek legend elements. The overall composition reflects advanced Celticisation of the original Macedonian reverse type. |
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| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Philip III of Macedon — half-brother to Alexander the Great, intellectually disabled, and installed as a puppet king by the Macedonian army in 323 BC — died by assassination in 317 BC, yet his coinage circulated and was copied across the Celtic world for well over a century after his death. These eastern Celtic imitations spread through a process of stylistic drift: each generation of dies copied the previous generation's coins rather than the originals, producing progressively more abstract results that retain little of the Macedonian prototype beyond the basic compositional structure.
The attribution to "uncertain eastern European Celts" reflects genuine scholarly disagreement — the production zone likely spans the middle Danube basin, but die studies have not resolved a more precise origin.