カタログ
| 発行体 | Kings of Paeonia |
|---|---|
| 年号 | 335 BC - 315 BC |
| 種類 | Standard circulation coin |
| 額面 | Tetradrachm (4) |
| 通貨 | Drachm (480-286BC) |
| 材質 | Silver |
| 重量 | 12.31 g |
| 直径 | 23 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Hoard#221-226 , SNG ANS 7#1030 |
| 表面の説明 | Laureate head of Apollo right. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Warrior on horse rearing right, spearing enemy warrior who defends with shield and spear below; boukranion to lower left. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | ΠΑΤΡΑΟΥ |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (335 BC - 315 BC) - - |
| Numisquare ID | 6483949590 |
| 追加情報 |
Historical Context: This silver tetradrachm, attributed to Patraos, King of Paeonia (335-315 BC), reflects a crucial era in Balkan history. Post-Alexander's death, Paeonia, north of Macedon, maintained autonomy under native kings amidst the Diadochi Wars. Patraos, possibly linked to the Damastion mint, issued these substantial silver pieces to assert sovereignty, finance military, and facilitate trade. These coins underscore Paeonia's economic vitality and complex relationship with Hellenistic powers, marking a brief resurgence before Macedonian annexation.
Artistry: While engravers are anonymous, this tetradrachm's artistic style aligns with the Hellenistic tradition prevalent in Macedon. The obverse typically features a finely rendered laureate head, often Apollo or Zeus, exhibiting classical proportions and a dignified expression. The reverse commonly depicts a dynamic horseman or powerful forepart of a bull, conveying strength and martial prowess, symbols associated with Paeonian royalty. Craftsmanship reflects skilled die-cutting, with attention to musculature and features, indicative of Greek artistic influence.
Technical/Grading: Struck from a substantial silver flan (12.31 grams, 23 millimeters), this tetradrachm exhibits robust technical qualities. High-points susceptible to wear include hair strands over the forehead and laurel wreath on the obverse, and the rider's head or horse's musculature on the reverse. A well-struck example shows full detail in these areas and sharp legends. Centering varies, but strong strike pressure ensures clear design. Surface quality is generally good; minor flan flaws or die imperfections are common.