Tetradrachm - Patraos

发行方 Kings of Paeonia
年份 335 BC - 315 BC
类型 Standard circulation coin
面值 Tetradrachm (4)
货币 Drachm (480-286BC)
材质 Silver
重量 12.69 g
直径 27.0 mm
厚度
形状 Round (irregular)
制作工艺 Hammered
方向
雕刻师
流通至
参考资料
正面描述 Laureate head of Apollo to right
正面文字
正面铭文
背面描述 Paeonian horseman, wearing crested helmet and full armor, galloping right and spearing fallen Persian cavalryman wearing kybasia and robeslat kausia, and holding a round shield. Below horse’s tail, thunderbolt and to right, bunch of grapes
背面文字 Greek
背面铭文 ΠΑ ΤΡΑΟΥ
边缘
铸币厂
铸造量 ND (335 BC - 315 BC) - -
Numisquare 编号 2109727540
附加信息

Historical Context: This silver tetradrachm, issued between 335 BC and 315 BC, belongs to the reign of Patraos, King of Paeonia. Situated north of Macedon, Paeonia navigated a complex geopolitical landscape in the turbulent aftermath of Alexander the Great's conquests and the subsequent Wars of the Diadochi. Patraos's coinage represents a crucial assertion of Paeonian sovereignty and economic independence, reflecting a period of relative stability for the kingdom amidst larger Hellenistic powers.

Artistry: While the specific engraver remains anonymous, the artistry reflects dominant Hellenistic stylistic trends with a distinct Paeonian character. The obverse typically features a finely rendered head of Apollo, laureate and facing right, executed with classical grace. The reverse often depicts a dynamic Paeonian horseman, possibly the king himself, galloping or spearing a foe, embodying martial prowess and royal authority. This design blends Greek mythological influence with local heroic iconography, characteristic of regional Hellenistic mints.

Technical/Grading: Struck on a substantial 27.0 mm flan of 12.69 grams of silver, the technical quality of Patraos's tetradrachms can vary. High-points susceptible to wear include Apollo's hair and nose, and on the reverse, the horseman's head and the horse's forelock. A well-struck example will exhibit full detail on Apollo's intricate hair and laurel wreath, alongside the horseman's musculature and horse's harness. Centering is typically good, though minor off-strikes occur. High relief contributes to artistic impact but also vulnerability to circulation wear.

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