Tetradrachm New style

By the mid-second century BC, Athens had long lost genuine political weight but retained enormous commercial reach, and the New Style tetradrachm was the instrument of that influence. Issued under a magistrate-controlled system that stamped each issue with the names of responsible officials, Thompson 363g falls within a tightly dated sequence Margaret Thompson spent decades reconstructing from hoard evidence — her 1961 corpus remains the definitive reference.

The series was struck on broad, thin flans specifically to facilitate die inspection, a practical response to earlier counterfeiting problems that had plagued Athenian silver in the eastern Mediterranean markets.