| Emisor | Licchavi Kingdom |
|---|---|
| Año | 464-505 |
| Tipo | Standard circulation coin |
| Valor | Tetradrachm (4) |
| Moneda | |
| Composición | Copper |
| Peso | 10.1 g |
| Diámetro | 25 mm |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | Mitch NI#197 |
| Descripción del anverso | Godess Laxmi Sitting in Padmasana (Crossed-Leg) |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Lion to Left |
| Escritura del reverso | |
| Leyenda del reverso | |
| Canto | Plain |
| Casa de moneda | |
| Tirada |
ND (464-505) - - |
| ID de Numisquare | 1206771620 |
| Información adicional |
Historical Context: This copper tetradrachm hails from the Licchavi Kingdom during the pivotal reign of Manadeva I (464-505 CE), widely recognized as the first historically verifiable monarch of Nepal. His era marked significant political consolidation and cultural efflorescence in the Kathmandu Valley, establishing a powerful state that maintained distinct identity despite strong contemporary influences from the Gupta Empire. Manadeva's extensive inscriptions provide crucial insights into his administration and territorial expansion, solidifying his status as a foundational figure in Nepalese history.
Artistry: Licchavi numismatic art, exemplified by Manadeva's issues, reflects a fascinating synthesis of indigenous Nepalese aesthetics with prevailing Gupta stylistic conventions. While individual engraver signatures are unknown, the general artistic school is characterized by robust, often somewhat stylized depictions. The obverse typically features the king standing, often holding a spear or bow, while the reverse commonly portrays a seated goddess, likely Lakshmi or a local deity. Legends in Brahmi script demonstrate cultural ties to the broader Indian subcontinent, yet with distinct local interpretation.
Technical/Grading: For this specific copper tetradrachm type, key grading high-points include clarity of the king's facial features and regalia on the obverse, and definition of the goddess's attributes and throne on the reverse. Legibility of the Brahmi legends on both sides is paramount, as is overall strike quality, which can vary. Well-centered strikes are at a premium, given common off-center examples. Due to copper composition, surface preservation, free from significant corrosion or pitting, is a critical factor influencing grade and value.