カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Sphinx seated left in profile, rendered in high relief with finely detailed feathering across the folded wing and scaled leonine body. The creature bears a human female head facing left, with carefully articulated facial features characteristic of the Classical Ionian style. To the left in the field stands a tall amphora with a bunch of grapes depicted above it, emblematic symbols associated with Chios and its celebrated wine trade. The composition fills the broad, slightly irregular flan with confident, sculptural modelling. The field around the devices is plain and unbordered. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Chios maintained unusual monetary independence throughout the fourth century, continuing to strike substantial silver coinage even as Persian satrapial authority tightened across Ionia. The magistrate name Krates appears on a small cluster of dies within this series, placing production somewhere in the middle decades of the century when the island was navigating the competing pressures of the Second Athenian League and Achaemenid overlordship — a tension that eventually contributed to the Social War of 357–355 BC.
The Pixodarus reference situates this piece within a die study that remains the primary scholarly tool for sequencing Chian tetradrachms of this period.