目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Stylised equestrian figure moving to left, the rider wearing a crested helmet, rendered in the highly abstracted Celtic manner with the horse and rider reduced to bold, curvilinear forms. A crescent symbol appears before the horse's head, serving as a typical Celtic decorative or apotropaic device. Beneath the horse, a horizontal figure-of-eight motif is visible, a characteristic secondary symbol of this Kapostal type. The design ultimately derives from the Macedonian royal coinage of Philip II but has been thoroughly transformed through successive Celtic reinterpretation. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
The Hercuniates were a Celtic people settled in the region of Pannonia, roughly corresponding to modern western Hungary, whose coinage drew heavily from Macedonian prototypes before evolving into increasingly abstracted local forms. The Kapostal type represents one of the later stages of that stylistic drift — the original Macedonian imagery progressively geometricized over generations of copying until the forms bear only structural memory of their source. This process was not degradation but deliberate local adaptation, the designs serving as identity markers within a tribal monetary network rather than as faithful reproductions.