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| 正面描述 | Janiform jugate bearded heads of Zeus rendered in a highly stylized Celtic interpretation, the two facing profiles conjoined back-to-back at center. The facial features are deeply modeled with exaggerated, swirling relief characteristic of La Tène artistic convention, including prominent brow ridges, volute beard renderings, and abstracted hair locks radiating outward from the crown. Between the two heads, a central lyre-like or torque-derived motif occupies the field. The overall composition fills the flan with bold, energetic die-cutting reflecting the Celtic celator's creative adaptation of the Hellenistic Macedonian prototype. |
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| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Stylized rider on horseback advancing to right, the figure wearing a helmet adorned with a long flowing crest. A rosette appears before the horse in the field, while a branch or plant motif grows outward from a torque positioned in front of the horse's foreleg. The horse's anatomy is rendered in an abstracted La Tène style with exaggerated limb proportions and decorative pellet ornaments. The overall design derives from the Macedonian Philip II tetradrachm reverse tradition, heavily reinterpreted through Eastern Celtic artistic conventions. |
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| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Celtic coinage of this class derives ultimately from the Macedonian tetradrachms of Philip II, which flooded into central and eastern Europe as mercenary pay following Celtic service in Balkan campaigns of the 4th century BC. The janiform type — two facing heads set back-to-back — represents a local Celtic reinterpretation that progressively abstracted the original Macedonian prototypes over successive generations of copying, often to the point where the monetary lineage is only recoverable through die study and typological sequencing.
Attribution to a specific tribe remains unresolved. The Kostial and Göbl references place this piece within a cluster of issues whose distribution points broadly to the middle Danube region.