کاتالوگ
| صادرکننده | Antioch ad Meandrum |
|---|---|
| سال | 90 BC - 60 BC |
| نوع | Standard circulation coin |
| ارزش | Tetradrachm (4) |
| واحد پول | Drachm |
| ترکیب | Silver |
| وزن | 16.16 g |
| قطر | 27 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | HN Online#2425 |
| توضیحات روی سکه | Laureate head of Zeus to right. |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Eagle standing left on thunderbolt; to left, filleted cornucopia; all within meander circle. |
| خط پشت سکه | Greek |
| نوشتههای پشت سکه | ANTIOXEΩN EPMOΓENHΣ |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (90 BC - 60 BC) - - |
| شناسه Numisquare | 3913951160 |
| اطلاعات تکمیلی |
Historical Context: This silver tetradrachm, issued by Antioch ad Meandrum between 90 BC and 60 BC, reflects a period of significant geopolitical flux in Anatolia. Hermogenes, likely a local magistrate or dynast, exercised considerable autonomy during the late Hellenistic era, a time marked by the decline of Seleucid power and increasing Roman influence following the Mithridatic Wars. The coin's issuance underscores Antioch's economic vitality and its capacity for independent monetary policy amidst regional instability, asserting local authority in a transitional age.
Artistry: While the specific engraver remains anonymous, the coin exemplifies late Hellenistic numismatic artistry. The obverse typically features a finely rendered diademed portrait, possibly of Hermogenes himself or a deified ancestor, executed with a blend of idealized classical forms and emerging realism characteristic of the period. The reverse likely depicts a prominent civic deity, such as Zeus or Apollo, seated or standing, often accompanied by an identifying attribute and Greek inscriptions. The overall design would have aimed to convey both civic pride and the issuer's prestige.
Technical/Grading: Struck in silver to a weight of 16.16 grams and a diameter of 27 mm, this tetradrachm adheres to standard Hellenistic Attic weight conventions. Key high-points for wear or strike quality on the obverse portrait would include the hair, eye, and cheekbone, while on the reverse, the deity's head, drapery folds, and limbs. Collectors should evaluate the sharpness of the strike, the centering of the dies on the flan, and the presence of any die breaks or surface imperfections, which are common for coinage of this era.