Tetradrachm - Heliokles I Dikaios

発行体 Kings of Baktria
年号 145 BC - 130 BC
種類 Standard circulation coin
額面 Tetradrachm (4)
通貨 Drachm (305-15BC)
材質 Silver
重量 17.01 g
直径 35 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き
彫刻師
流通終了年
参考文献 Bop#1U , SNG ANS 9#643
表面の説明 Diademed and draped bust of Heliocles right. Fillet border.
表面の文字体系
表面の銘文
裏面の説明 Zeus standing facing, holding thunderbolt and sceptre; in inner lower left field, monogram.
裏面の文字体系 Greek
裏面の銘文 BAΣIΛEΩΣ HΛIOKΛEOYΣ ΔIKAIOY
(Translation: King Heliokles Dikaios)
鋳造所
鋳造数 ND (145 BC - 130 BC) - -
Numisquare ID 5938651260
追加情報

Historical Context: Heliokles I Dikaios, reigning from approximately 145 to 130 BC, is traditionally considered the last unified Greek king of Bactria. His rule marks a pivotal and ultimately tragic period, as the Greco-Bactrian kingdom faced increasing pressure from nomadic tribes, particularly the Yuezhi and Sakas, leading to its eventual fragmentation. The epithet "Dikaios" (The Just) may reflect an anachronistic attempt to project legitimacy and stability during these tumultuous times, as the Hellenistic presence in Central Asia began its final decline.

Artistry: The coin exemplifies the pinnacle of Hellenistic portraiture in Central Asia. While the specific engraver remains anonymous, the artistry aligns with the robust Greco-Bactrian stylistic school, renowned for its realism and powerful depictions. The obverse features a finely rendered, diademed portrait of Heliokles, often characterized by a stern, resolute expression reflecting the challenges of his reign. The reverse typically displays Zeus standing or enthroned, holding a thunderbolt and scepter, a common motif symbolizing divine authority and legitimacy for the ruler.

Technical/Grading: This substantial silver tetradrachm, weighing 17.01 grams and measuring 35 mm, showcases the impressive fabric of Bactrian coinage. Key high-points for grading include the hair, diadem, and facial features on the obverse portrait, and Zeus's head, shoulders, and the details of his attributes on the reverse. Well-struck examples exhibit sharp details, particularly on the intricate portraiture and the divine iconography, often on a broad, well-centered flan, though minor planchet flaws or areas of light strike can occur.

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