Tetradrachm - Eucratides I

発行体 Kings of Baktria
年号 170 BC - 145 BC
種類 Standard circulation coin
額面 Tetradrachm (4)
通貨 Drachm (305-15BC)
材質 Silver
重量 15.89 g
直径 33 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き
彫刻師
流通終了年
参考文献 Bop#1D, SNG ANS 9#432, HGC 12#130
表面の説明 Diademed and draped bust to right.
表面の文字体系
表面の銘文
裏面の説明 The Dioskouroi on horses prancing to right, each holding spear and palm; monogram in lower right field.
裏面の文字体系 Greek
裏面の銘文 BΑΣΙΛΕΩΣ ΕΥΚΡΑΤΙΔΟΥ
鋳造所
鋳造数 ND (170 BC - 145 BC) - -
Numisquare ID 9012932720
追加情報

Historical Context: This tetradrachm originates from the tumultuous reign of Eucratides I (170-145 BC), a pivotal figure who seized control of the Greco-Bactrian Kingdom from the Euthydemid dynasty. His rule marked a period of both expansion and intense conflict, as he consolidated power, fought against the Parthians, and faced incursions from nomadic tribes. Eucratides' coinage reflects his ambition and military might, symbolizing the zenith of Hellenistic power in Central Asia before its eventual decline.

Artistry: The coin exemplifies the peak of Hellenistic portraiture, likely crafted by a master engraver working in the Attic or Rhodian stylistic tradition, adapted for the Bactrian court. The obverse features a powerful, regal bust of Eucratides I, often depicted wearing a distinctive helmet, rendered in high relief with remarkable realism. The reverse typically portrays the Dioscuri, Castor and Pollux, on horseback, dynamically rendered and symbolizing military prowess and divine favor, a common motif for Hellenistic rulers.

Technical/Grading: Struck in silver, this substantial tetradrachm weighs 15.89 grams and measures 33 millimeters, indicative of its significant monetary value. High-points for wear on the obverse typically include the helmet crest, nose, and cheekbone. On the reverse, the heads of the Dioscuri and their horses, along with the riders' shoulders, are key areas. Bactrian coinage, especially of this period, is renowned for its broad, well-centered flans and sharp, detailed strikes, particularly on the complex obverse portrait.

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