Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Uncertain Eastern European Celts |
|---|---|
| Year | 300 BC - 201 BC |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Drachm |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | Stylised Celtic horseman advancing to left, the rider wearing a crested helmet in the Dachreiter tradition, rendered in a highly abstracted La Tène artistic manner. The horse's body is schematically depicted with exaggerated limb strokes characteristic of Eastern Celtic coinage. A six-spoked wheel symbol appears behind the horse in the field, serving as a cultic or tribal emblem. A pellet-in-annulet device is placed below the horse's body in the lower field. The overall composition reflects the progressive Celticisation of the Philip II Macedonian tetradrachm prototype. |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Plain |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
The "Dachreiter" — German for "roof rider" — designation comes from the distinctive schematic figure that evolved through successive generations of Celtic die-cutters working far from the Macedonian prototypes they were copying. This particular type sits within a broad family of imitations derived ultimately from Philip II tetradrachms, but by this stage the transmission had passed through so many hands across the Carpathian basin that the original iconographic source is barely traceable. Attribution to a specific tribe remains impossible; "Uncertain Eastern European Celts" is the honest answer to a question the archaeological record cannot yet resolve.