Catalogus
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| Uitgever | Uncertain Eastern European Celts |
|---|---|
| Jaar | 300 BC - 201 BC |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | 23 mm |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Heavily Celticised laureate and bearded head facing left, rendered in the abstract La Tène artistic tradition with bold, sweeping relief. The facial features are reduced to schematic forms: a prominent curved nose, pellet eyes, and a stylised beard indicated by a series of pellets arranged along the lower face. The laurel wreath is depicted as a mass of elongated leaf-like projections splaying outward across the upper field. The design is enclosed within a beaded border, reflecting the progressive barbarisation of the original Macedonian prototype. |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | ND (300 BC - 201 BC) |
| Aanvullende informatie |
The "Verwilderten" designation — from the German for "gone wild" or "run to seed" — reflects the progressive abstraction that characterizes this group, where each successive die generation moved further from the Macedonian prototype until the original imagery became nearly unrecognizable. The Baumreiter ("tree rider") subtype takes its name from the dissolution of the horse-and-rider motif into what resembles a figure among branching forms. This degeneration was not carelessness; it reflects transmission through craftsmen working without direct access to the source coinage, copying copies across generations and tribal boundaries.
Precise attribution to a specific tribe or mint remains unresolved. The Kostial and Göbl references place this within a broad eastern Celtic production zone, likely modern Slovakia, Hungary, or the Carpathian basin.