カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A rider on horseback proceeding to the left, depicted in the highly stylised manner characteristic of the Baumreiter ('tree-rider') type. The horse is rendered with boldly modelled, rounded forms, its body shown in profile with legs in motion. The rider holds aloft a leafless branch or small stylised tree, visible above the horse's back, accompanied by scattered pellets and a small branch motif in the upper field. The composition retains the essential elements of the Macedonian cavalry prototype while transforming them into the abstract, decorative vocabulary of Eastern Celtic art, with pellets used as space-filling ornaments throughout the field. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The "Baumreiter" designation — German for "tree rider" — was coined by modern researchers to group a cluster of related Celtic silver struck in the Middle Danube region during the third century BC, when Celtic tribes dominated the arc from Bohemia through the Carpathian basin. Attribution to a specific tribe remains impossible; the eastern Celtic coinages of this zone were produced by multiple groups operating without centralized mint infrastructure, likely by itinerant die-cutters serving different chieftains across generations.
The Kostial and Göbl references place this piece within a recognized die family, but the "var." notation signals it departs from the closest parallel — worth noting for anyone working the series systematically.