کاتالوگ
| صادرکننده | Laodikeia (Phrygia) |
|---|---|
| سال | 49 BC - 48 BC |
| نوع | Standard circulation coin |
| ارزش | Tetradrachm (4) |
| واحد پول | Cistophoric drachm |
| ترکیب | Silver |
| وزن | 12.58 g |
| قطر | 26 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | Medal alignment ↑↑ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) |
| توضیحات روی سکه | Serpent emerging to left from a partially open cista mystica; around, ivy wreath. |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Two upwardly coiling snakes; between their heads, hexastyle round temple, surmounted by statue of Athena; to right, winged caduceus. |
| خط پشت سکه | Greek |
| نوشتههای پشت سکه | C FAN PONT PRO ΛΑΟ ΑΤΤΑΛΟΣ ΔΗΜΗΤΡΙΟΥ |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (49 BC - 48 BC) - - |
| شناسه Numisquare | 2596682590 |
| اطلاعات تکمیلی |
Historical Context: This silver tetradrachm, issued by Laodikeia in Phrygia between 49 and 48 BC, falls within a tumultuous period of the late Roman Republic. The name "Attalos son of Demetrios" likely identifies a prominent local magistrate or dynast responsible for the coinage, a common practice in cities under Roman influence. During Caesar's Civil War, cities in Asia Minor were often compelled to issue coinage to meet Roman demands for tribute or military expenditures, or to maintain local economic stability amidst the wider conflict. Laodikeia, a significant city, would have navigated these complex political currents, asserting its civic identity through its coinage while operating within the Roman provincial framework. These issues provide valuable insight into the economic and administrative landscape of Roman Asia at a critical juncture.
Artistry: While specific engraver details are typically unrecorded for such issues, the coin belongs to the late Hellenistic stylistic tradition, characterized by a blend of classical ideals and evolving provincial interpretations. The obverse would likely feature a laureate head of a prominent deity, such as Zeus Laodikeus, or possibly Athena, rendered with a degree of naturalism typical of the period, albeit often with a more standardized appearance compared to earlier Hellenistic masterpieces. The reverse would typically display a civic emblem, such as a standing figure of Zeus, an eagle, or a specific cult statue, accompanied by the city's ethnic and the magistrate's name, Attalos son of Demetrios, in the field or exergue. The overall design would aim for clarity and legibility, reflecting the coin's role in commerce.
Technical/Grading: Struck on a 26 mm flan and weighing 12.58 grams, this tetradrachm adheres to a slightly reduced Attic standard common for these later issues. Key high-points for grading typically include the highest relief areas of the obverse portrait, such as the hair, brow, and cheekbone, and on the reverse, the musculature, drapery folds, or specific attributes of the depicted deity or animal. A well-struck example would exhibit full detail on the central devices and clear legends. Hand-struck coinage from this era often shows minor imperfections such as slight off-centering, minimal flan cracks, or areas of light strike, particularly towards the periphery, which are considered within the normal range for ancient coinage.