Katalog
| İhraççı | Kingdom of Characene (Mesopotamia) |
|---|---|
| Yıl | 165-180 |
| Tür | Standard circulation coin |
| Değer | Tetradrachm (4) |
| Para birimi | Drachm |
| Bileşim | Bronze |
| Ağırlık | 16.84 g |
| Çap | 26 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Medal alignment ↑↑ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Alram#508, BMC Parth#302 |
| Ön yüz açıklaması | Diademed and draped bust right, wearing tiara. Dotted border. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Herakles seated left, holding club set on knee; in upper left field, monogram; below Herakles' arm, Aramaic letter. Doted border. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | Charax Spasinou, Characene, Iraq |
| Basma adedi | ND (165-180) |
| Numisquare Kimliği | 3106628084 |
| Ek bilgiler |
Historical Context: This bronze tetradrachm hails from the Kingdom of Characene, a vital Hellenistic state at the head of the Persian Gulf, during the reign of Abinergaios II (165-180 AD). His rule occurred amidst increasing regional instability, with Characene caught between Parthian and Roman influence. The issuance of substantial bronze coinage reflects economic realities and localized circulation needs, characteristic of a period shifting from precious metal standards.
Artistry: The coin's design embodies the syncretic artistic traditions of Characene, blending residual Hellenistic styles with indigenous Mesopotamian elements. While specific engravers are unknown, the stylistic school exhibits a localized interpretation, often presenting royal portraits more stylized than classical Greek prototypes. The obverse features a diademed bust of King Abinergaios II. The reverse commonly displays a seated deity or an eagle, reflecting local religious or dynastic symbolism.
Technical/Grading: Struck on a sizable bronze flan, weighing 16.84 grams and measuring 26 millimeters, this coin is a significant module for its material. Key high-points susceptible to wear on the obverse include the king’s diadem, hair, and nose. On the reverse, the head and prominent features of the depicted figure or eagle are most vulnerable. Characene bronze issues frequently display variable strike quality, including off-centering, weaker strikes, and die wear, alongside surface granularity typical of ancient bronze fabric.