Tetradrachm

Emitent Mende
Rok 460 BC - 423 BC
Typ Standard circulation coin
Nominał Tetradrachm (4)
Waluta Drachm
Skład Silver
Waga 17.33 g
Średnica 29 mm
Grubość
Kształt Round (irregular)
Technika Hammered, Incuse
Orientacja Variable alignment ↺
Rytownik(zy)
W obiegu do
Źródło(a) Noe Mende#– 7#337
Opis awersu Dionysos, bearded and wearing an ivy wreath and a himation, holding a kantharos in his extended right hand and resting his left hand on the cloth covering the donkey`s back, reclining left on the back of a donkey walking to right; encircling the donkey`s ears, ivy wreath; in the lower right field, crow perched to right within a pair of ivy branches.
Pismo awersu
Legenda awersu
Opis rewersu Linear square containing a vine with leaves, tendrils and five bunches of grapes.
Pismo rewersu Greek
Legenda rewersu MEN ΔA I ON
Krawędź
Mennica
Nakład ND (460 BC - 423 BC) - -
ID Numisquare 8875708560
Dodatkowe informacje

Historical Context: This Tetradrachm originates from Mende, a prosperous city in Thrace, the Chalcidice peninsula, during the Classical Greek period (460-423 BC). Mende’s wealth was largely founded on its renowned viticulture and wine trade, making it a significant economic power. As a member of the Delian League, its coinage reflects a period of autonomy and flourishing commerce, predating the Peloponnesian War's full impact. The Dionysian iconography directly underscores its primary industry and cultural identity.

Artistry: The obverse masterfully depicts Dionysus, the god of wine, riding a donkey, a direct allusion to Mende's famed Mendaean wine. This early Classical design, while lacking a known engraver, exhibits a developing naturalism characteristic of the period, moving beyond archaic stiffness to greater dynamism. The reverse features an incuse square enclosing a distinctive Mendaean vine laden with grapes, further reinforcing the city's agricultural prosperity and its strong association with Dionysus.

Technical/Grading: Struck on a broad silver flan of 29mm, weighing 17.33 grams, this coin adheres to the Attic standard. High-points for preservation include Dionysus’s facial features, the donkey’s musculature, and the intricate details of the vine and grapes on the reverse. Well-centered examples display the full design, with early strikes exhibiting sharp relief and minimal die wear. The Noe reference (Noe Mende#– 7#337) indicates a well-documented die pairing within the series.

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