Catalog
| Issuer | Akanthos |
|---|---|
| Year | 525 BC - 470 BC |
| Type | Standard circulation coin |
| Value | Tetradrachm (4) |
| Currency | Drachm |
| Composition | Silver |
| Weight | 16.75 g |
| Diameter | 30 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered, Incuse |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | SNG ANS 7#10, De Luynes#1535 |
| Obverse description | Lion attacking bull, stylised acanthus flower below dotted line |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Quadripartite incuse square |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (525 BC - 470 BC) - - |
| Numisquare ID | 8556834140 |
| Additional information |
Historical Context: This Tetradrachm originates from Akanthos, a prominent Chalcidian city on the Strymonic Gulf in Macedon, active during the late Archaic to early Classical period (525-470 BC). During this era, Akanthos flourished as a vital trading center, leveraging its strategic coastal position and rich natural resources. The minting of such substantial silver coinage underscores the city's economic independence and robust commercial activity, facilitating trade across the Aegean, predating the unified Macedonian kingdom.
Artistry: The coin's design exemplifies the powerful animalistic motifs characteristic of late Archaic Greek numismatic art. The obverse famously depicts a ferocious lion attacking a bull, a dynamic and iconic emblem for Akanthos. While the engraver remains anonymous, the artistry reflects the skill of master die-cutters, capturing the raw power and struggle between the beasts with remarkable detail and dramatic tension. The reverse typically features a deeply incuse square, often quartered, a common feature of early Greek coinage.
Technical/Grading: Struck in high-purity silver, this Tetradrachm adheres to the Attic weight standard of 16.75 grams with a diameter of 30 millimeters. Key high-points for preservation and strike quality include the lion's musculature and mane, the bull's head and horns, and the intricate details of their struggle. A well-centered strike is desirable, ensuring the full depiction of the iconic obverse scene. The clarity of the incuse square on the reverse also contributes to its technical assessment.