Catálogo
| Emisor | Motya |
|---|---|
| Año | 405 BC - 400 BC |
| Tipo | Standard circulation coin |
| Valor | Tetradrachm (20) |
| Moneda | Litra |
| Composición | Silver |
| Peso | 16.96 g |
| Diámetro | 26 mm |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | Variable alignment ↺ |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | HGC 2#921, Jenkins P1#37-38, Campana#13 |
| Descripción del anverso | Eagle standing right; MṬV’ (in Punic) above. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Crab. |
| Escritura del reverso | |
| Leyenda del reverso | |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (405 BC - 400 BC) - - |
| ID de Numisquare | 6442270630 |
| Información adicional |
Historical Context: This Motya Tetradrachm, 405-400 BC, marks a critical period for the Phoenician city in Sicily. Issued amidst the intense Sicilian Wars, it predates Motya's devastating siege and capture by Dionysius I of Syracuse in 397 BC. As a key Carthaginian ally, Motya's production of silver coinage on the Attic standard reflects its strategic importance and economic resilience. These issues represent the final independent coinages of Motya, symbolizing a city maintaining its distinct identity under immense pressure.
Artistry: The artistry of this Tetradrachm profoundly reflects the finest contemporary Greek numismatic traditions, particularly from Syracuse. Though specific engravers are unnamed, the stylistic school is Late Classical Greek, characterized by high relief and dynamic compositions. The obverse typically features a victorious quadriga, often with Nike flying above. The reverse frequently depicts a finely rendered head of a nymph or deity, often a local Phoenician goddess like Tanit assimilated with Greek types like Persephone, distinguished by an elaborate coiffure.
Technical/Grading: Struck in silver to an Attic standard of 16.96 grams and 26 millimeters, this Tetradrachm demonstrates the era's technical prowess. High-points for wear and strike quality on the obverse include the horses' heads, charioteer's face, and Nike's wings. On the reverse, critical areas are the intricate hair details, diadem, and delicate facial features. A premium example exhibits a full, well-centered strike with crisp details, minimal die wear, and an unblemished planchet. Minor flan imperfections or slight off-centering are common.