Tetradrachm

Issuer Leontini
Year 465 BC - 450 BC
Type Standard circulation coin
Value Tetradrachm (20)
Currency Litra
Composition Silver
Weight 17.34 g
Diameter 26 mm
Thickness
Shape Round (irregular)
Technique Hammered
Orientation Variable alignment ↺
Engraver(s)
In circulation to
Reference(s) SNG ANS 4#218, Gulbenkian#210, Kraay&Hirm#18, AMB Basel#348, Dewing#622-623, HGC 2#665, SNG Lloyd#1045, Jameson#626, De Luynes#991
Obverse description Charioteer driving right, getting crowned by Nike flying. In exergue, lion running right.
Obverse script
Obverse lettering
Reverse description Laureate head right, flanked by two leaves and lion to right below.
Reverse script Greek
Reverse lettering LEONTI – NO – N
Edge
Mint
Mintage ND (465 BC - 450 BC) - -
Numisquare ID 5699319200
Additional information

Historical Context: This silver tetradrachm, issued by the Sicilian Greek city of Leontini between 465 BC and 450 BC, reflects a period of significant prosperity. Following the expulsion of tyrants from Syracuse, Leontini, though smaller, thrived amidst democratic resurgence and inter-city rivalries in Magna Graecia. Its 17.34 gg weight and denomination attest to the city's economic strength, rooted in fertile plains and strategic location, enabling coinage comparable to larger neighbors.

Artistry: This coin exemplifies the innovative Early Classical style characteristic of Sicilian numismatic art. While the engraver is anonymous, the artistry is remarkable. The obverse presents a compelling frontal or three-quarter facing head of Apollo, a technically demanding and pioneering artistic choice for the era, demonstrating advanced sculptural skill. Apollo, a significant deity, is often laurel-wreathed. The reverse features a powerful lion’s head, Leontini's canting badge, frequently encircled by four barley grains, symbolizing agricultural abundance.

Technical/Grading: Struck on a 26 mm flan, this tetradrachm generally exhibits high technical quality. Critical high-points for assessing strike and wear include the intricate curls of Apollo’s hair, his facial details, and the individual strands of the lion’s mane. A strong, even strike is essential to fully capture the challenging frontal portraiture and the lion's powerful rendering. Well-preserved specimens display sharp definition on both sides, with minimal die wear and a typically round, hand-struck flan.

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