Katalog
| Emitent | Knossos |
|---|---|
| Rok | 150 BC - 90 BC |
| Typ | Standard circulation coin |
| Hodnota | Tetradrachm (4) |
| Měna | Drachm |
| Složení | Silver |
| Hmotnost | 15.67 g |
| Průměr | 32 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | |
| Rytci | |
| V oběhu do | |
| Reference |
| Popis líce | Diademed and bearded head (of Minos?) right. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Labyrinth; KNΩ/Σ-I/ΩN in three lines across field. |
| Písmo rubu | Greek |
| Opis rubu | KNΩ Σ-I ΩN |
| Hrana | |
| Mincovna | |
| Náklad |
ND (150 BC - 90 BC) - Mid 2nd-early 1st centuries BC - |
| ID Numisquare | 2760712590 |
| Další informace |
Historical Context: This silver Tetradrachm, issued by Knossos between 150 BC and 90 BC, reflects a turbulent late Hellenistic period on Crete. Knossos, a dominant city, asserted its sovereignty amidst intense inter-city rivalries, notably with Gortyn and Lyttos. This coinage served as a crucial trade medium and a powerful declaration of economic strength and political independence, predating definitive Roman annexation. It underscores Knossos's enduring influence and strategic Mediterranean position.
Artistry: Anonymous Knossian engravers produced coinage reflecting late Hellenistic stylistic trends, blending classical idealism with increasing naturalism. Typical designs feature a majestic Zeus head on the obverse, rendered with dignified features and flowing hair, often diademed. The reverse frequently depicts the iconic Labyrinth, a potent symbol of Knossian heritage, often with intricate geometric precision. The overall design exhibits strong local character, incorporating broader Hellenistic artistic conventions.
Technical/Grading: Struck in silver, this Tetradrachm weighs 15.67 grams and measures 32 millimeters, consistent with the denomination. Key high-points for wear on a Zeus obverse include the highest hair strands, beard, and diadem. For a Labyrinth reverse, the raised lines forming the maze show earliest wear. Technical strike quality varies; examples often exhibit off-centering, die wear, or minor flan imperfections typical of ancient hand-striking. Well-centered examples with sharp details are highly prized.