Katalog
| İhraççı | Knossos |
|---|---|
| Yıl | 150 BC - 90 BC |
| Tür | Standard circulation coin |
| Değer | Tetradrachm (4) |
| Para birimi | Drachm |
| Bileşim | Silver |
| Ağırlık | 15.67 g |
| Çap | 32 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) |
| Ön yüz açıklaması | Diademed and bearded head (of Minos?) right. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Labyrinth; KNΩ/Σ-I/ΩN in three lines across field. |
| Arka yüz yazısı | Greek |
| Arka yüz lejandı | KNΩ Σ-I ΩN |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (150 BC - 90 BC) - Mid 2nd-early 1st centuries BC - |
| Numisquare Kimliği | 2760712590 |
| Ek bilgiler |
Historical Context: This silver Tetradrachm, issued by Knossos between 150 BC and 90 BC, reflects a turbulent late Hellenistic period on Crete. Knossos, a dominant city, asserted its sovereignty amidst intense inter-city rivalries, notably with Gortyn and Lyttos. This coinage served as a crucial trade medium and a powerful declaration of economic strength and political independence, predating definitive Roman annexation. It underscores Knossos's enduring influence and strategic Mediterranean position.
Artistry: Anonymous Knossian engravers produced coinage reflecting late Hellenistic stylistic trends, blending classical idealism with increasing naturalism. Typical designs feature a majestic Zeus head on the obverse, rendered with dignified features and flowing hair, often diademed. The reverse frequently depicts the iconic Labyrinth, a potent symbol of Knossian heritage, often with intricate geometric precision. The overall design exhibits strong local character, incorporating broader Hellenistic artistic conventions.
Technical/Grading: Struck in silver, this Tetradrachm weighs 15.67 grams and measures 32 millimeters, consistent with the denomination. Key high-points for wear on a Zeus obverse include the highest hair strands, beard, and diadem. For a Labyrinth reverse, the raised lines forming the maze show earliest wear. Technical strike quality varies; examples often exhibit off-centering, die wear, or minor flan imperfections typical of ancient hand-striking. Well-centered examples with sharp details are highly prized.