目录
| 正面描述 | Stylized laureate head of Zeus facing right, rendered in the abstracted Celtic artistic tradition derived from Macedonian Philippic prototypes. The laureate wreath is depicted as a series of bold, rounded pellets and elongated curvilinear elements framing the head. The facial features are strongly schematized, with a prominent eye rendered as a raised pellet, a fleshy nose, and a subtly modeled jaw. The hair falls in deeply engraved, sweeping parallel locks behind the neck. The overall treatment reflects progressive Celtic abstraction of the original Hellenic type. |
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| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | Π ΙΙΙ |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Dacian silver tetradrachms of the Banat region are Celtic-influenced imitations that progressively abstracted their Macedonian prototype — Philip II's posthumous coinage — through successive die generations until the original imagery became almost unrecognizable. This degeneration was not carelessness but a natural consequence of copying copies, each celator working from the last local issue rather than any Greek original. The Banat grouping specifically reflects production by communities in what is now southwestern Romania and northern Serbia, operating entirely outside Greek monetary infrastructure.
Göbl's classification system identified distinct die lineages within this series, and the Dembski range of 1047–1050 captures a narrow typological cluster within a much broader regional output that spanned two centuries of intermittent striking.