目录
| 发行方 | Laodikeia (Phrygia) |
|---|---|
| 年份 | 57 BC - 53 BC |
| 类型 | Standard circulation coin |
| 面值 | Tetradrachm (4) |
| 货币 | Cistophoric drachm |
| 材质 | Silver |
| 重量 | 12.00 g |
| 直径 | 26 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | BMC Greek#15 |
| 正面描述 | Cista mystica with serpent; all within ivy wreath. |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Two snakes coiled around a bow case; to left, ΛAO; to right, winged kerykeion; in exergue, magistrate name in two lines. |
| 背面文字 | Greek |
| 背面铭文 | P LENTVLVS P F IMP ΛAO APTEMIΔΩPOΣ ΔAMOKPATOY |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (57 BC - 53 BC) - - |
| Numisquare 编号 | 1727293000 |
| 附加信息 |
Historical Context: The Tetradrachm from Laodikeia in Phrygia, issued 57-53 BC, belongs to a pivotal era of increasing Roman hegemony in Asia Minor. Following Pompey's reorganization, cities like Laodikeia maintained coinage autonomy, yet operated within the Roman provincial system. This period immediately precedes the Roman Civil Wars, making high-value silver currency significant for local commerce, taxation, and tribute. The coin reflects the city's economic vitality and strategic position during a time of profound political transition, as the Republic solidified its control over Anatolia.
Artistry: Artistically, this Tetradrachm exemplifies the late Hellenistic style prevalent in Anatolian mints. The obverse features a finely rendered head of Zeus Laodikeus, laureate, blending classical idealism and regional interpretation. The reverse commonly depicts Zeus Laodikeus standing, holding an eagle and scepter, often with civic monograms. This design emphasizes the city's patron deity, a powerful symbol of civic identity and religious devotion amidst external political pressures, executed with careful attention to drapery.
Technical/Grading: Technically, this 26mm, 12.00g silver Tetradrachm, referenced as BMC Greek#15, would be evaluated on strike quality and flan preparation. High-points for the obverse Zeus head typically include the highest strands of hair, brow, and nose tip. For the reverse standing figure, the head, shoulders, and prominent drapery folds are critical. A premium example exhibits a full, centered strike on a well-prepared flan, showing complete detail on both sides with minimal die wear or weakness in high-relief areas, ensuring legibility.