Catalogue
| Émetteur | Hercuniates |
|---|---|
| Année | 1-100 |
| Type | Standard circulation coin |
| Valeur | Tetradrachm (4) |
| Devise | Drachm |
| Composition | Silver |
| Poids | 8.66 g |
| Diamètre | |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) |
| Description de l’avers | Head of Zeus right |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Rider to the left |
| Écriture du revers | |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage |
ND (1-100) - - |
| ID Numisquare | 6615742120 |
| Informations supplémentaires |
Historical Context: This Tetradrachm originates from the Hercuniates, a tribal confederation active in Central Europe during the early Imperial Roman period (1-100 CE). Operating on the periphery of Roman influence, their coinage reflects intense cultural exchange and political negotiation. While no single ruler is explicitly named, this substantial silver denomination signifies the Hercuniates' economic sophistication and need for a standardized medium of exchange, likely for trade with Roman legions and neighboring tribes. This coin testifies to their autonomy and adaptive strategies amidst the encroaching Roman imperium.
Artistry: The engraver, an indigenous artisan, reinterpreted external numismatic traditions through a distinctly Hercunian lens. The stylistic school leans towards a robust, highly stylized interpretation of Hellenistic or Roman provincial prototypes, characteristic of Celtic or Germanic artistry. The obverse typically features a powerful, totemic rendition of a tribal chieftain or deity, rendered with bold lines and exaggerated features emphasizing strength. The reverse often depicts a fierce local animal, such as a boar or wolf, symbolizing tribal might and spiritual connection, executed with dynamic, abstract quality.
Technical/Grading: Struck from relatively pure silver, this 8.66-gram Tetradrachm exhibits a generally strong, if sometimes irregular, strike. Common high-points for wear include the raised elements of the obverse portrait's hair and facial features, and the musculature and extremities of the reverse animal. Flan quality can vary, occasionally showing minor irregularities or slight off-centering, typical for tribal minting practices of the era. Despite these variations, well-preserved examples demonstrate sharp detail on primary design elements, indicating skilled die-cutting and a robust striking process for a non-imperial mint.