目录
| 发行方 | Heraia |
|---|---|
| 年份 | 325 BC - 275 BC |
| 类型 | Standard circulation coin |
| 面值 | 1 Tetrachalkon = 1/2 Obol = 1⁄12 Drachm |
| 货币 | Drachm |
| 材质 | Bronze |
| 重量 | 5.37 g |
| 直径 | 18.0 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | SNG Copenhagen#237, BCD Peloponnesos#1369.1 |
| 正面描述 | Helmeted head of Athena facing right |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Artemis kneeling right, holding a bow in her left hand, and resting her right hand on the ground.To the right, the letter H |
| 背面文字 | |
| 背面铭文 | |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (325 BC - 275 BC) - Struck late 4th to mid 3rd century BC - |
| Numisquare 编号 | 8265892580 |
| 附加信息 |
Historical Context: This Tetrachalkon was issued by Heraia, an Arcadian city-state in the Peloponnese, during a tumultuous period following Alexander the Great's death (325-275 BC). As the Diadochi contended for power, Heraia navigated a complex political landscape, asserting its local autonomy and economic vitality through the issuance of bronze coinage. This denomination served daily commercial needs, reflecting the city's self-governance amidst shifting regional alliances and the nascent Hellenistic era.
Artistry: While the specific engraver remains anonymous, the coin's style aligns with the Late Classical to Early Hellenistic tradition, characterized by increased naturalism. The obverse typically features a finely rendered, veiled head of Hera, the city's eponymous goddess, often with a stephane, conveying dignity and divine presence. The reverse frequently displays a thunderbolt, an attribute of Zeus, often within a wreath or accompanied by the city's ethnic, demonstrating civic identity and religious reverence through well-established iconography.
Technical/Grading: Struck on a bronze flan weighing 5.37 grams and measuring 18.0 mm, this Tetrachalkon typically exhibits a robust but often irregular strike. High-points for wear or strike weakness include the veil and facial features of Hera on the obverse, and the central elements of the thunderbolt on the reverse. Collectors should look for a well-centered strike with strong pressure to fully render the intricate details, as off-center strikes or planchet irregularities are not uncommon for bronze issues of this period.