Tetrachalkon

Issuer Atrax
Year 300 BC - 200 BC
Type Standard circulation coin
Value Tetrachalkon (1⁄12)
Currency Drachm
Composition Bronze
Weight 11.16 g
Diameter 22.0 mm
Thickness
Shape Round (irregular)
Technique Hammered
Orientation
Engraver(s)
In circulation to
Reference(s) BCD Thessaly I#1033, McClean#4556 var., Rogers#168 var.
Obverse description Laureate head of Apollo to right, his hair bound up in a bun at the back but with some locks falling down the back of his neck
Obverse script
Obverse lettering
Reverse description Horse standing right
Reverse script Greek
Reverse lettering ΑΤΡΑ ΓΙΩΝ
Edge
Mint
Mintage ND (300 BC - 200 BC) - -
Numisquare ID 3904183220
Additional information

Historical Context: Atrax, a city in Thessaly, issued this Tetrachalkon during the Hellenistic period, 300-200 BC. This era, following Alexander the Great, brought shifting regional powers but also increased civic autonomy for Greek poleis. As a bronze denomination, the Tetrachalkon primarily served daily commerce within Atrax. Its issuance reflects the city's economic self-sufficiency and the local need for stable currency amidst dynamic regional trade and political changes.

Artistry: Lacking a specific engraver, this Tetrachalkon aligns with the Hellenistic stylistic school, favoring naturalism and expressive portrayals. Thessalian bronzes often featured local deities or symbols. The obverse typically presents a finely rendered head of a god or hero, like Apollo or Artemis, showcasing deep-set eyes and flowing hair. The reverse likely depicts a local emblem, such as a horse—a prominent Thessalian symbol—or a civic device specific to Atrax, executed with a robust hand.

Technical/Grading: Technical execution for this bronze Tetrachalkon varies. High-points for strike and wear include the forehead, nose, and chin of the obverse portrait, or intricate hair details. On the reverse, critical areas are animal musculature or specific features of a civic device. A well-struck example shows full detail in these elements, with minimal flatness. Common technical qualities include occasional off-centering, minor flan imperfections, and variable strike pressure, leading to less defined areas.

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