کاتالوگ
| توضیحات روی سکه | Head of Hera, three-quarters facing to left, wearing stephanos and pendant earrings |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Zeus Palamnaios seated on rocks to left, holding long scepter in his right hand and resting his left on the rock |
| خط پشت سکه | Greek |
| نوشتههای پشت سکه | ΓΟΜΦΕ ΩΝ |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (-350) - - |
| شناسه Numisquare | 3403233160 |
| اطلاعات تکمیلی |
Historical Context: This Tetrachalkon, struck in bronze at Philippopolis around 350 BC, emerges from a pivotal period in Thracian history, directly preceding or coinciding with the ascendance of Philip II of Macedon. Philippopolis, initially a Thracian settlement, was strategically important and would later be formally renamed by Philip II after its conquest, solidifying Macedonian influence in the region. The issuance of a bronze denomination like the Tetrachalkon signifies a burgeoning local economy and the increasing monetization of trade, reflecting the administrative reach and economic policies associated with the expanding Macedonian kingdom. Its date places it at the cusp of significant political and cultural shifts in the ancient Balkans.
Artistry: While specific engravers for provincial bronze issues of this era are rarely known, the coin's design adheres to the Late Classical Greek stylistic tradition, likely influenced by Macedonian numismatic trends. The obverse typically features a laureate head of a prominent deity, such as Zeus, or a local hero, rendered with a degree of naturalism characteristic of the period. The reverse often displays an animal, like a galloping horse—a potent symbol in Thracian and Macedonian culture—or a civic emblem. The execution, though perhaps not as refined as royal issues, would aim for clear, recognizable iconography to convey authority and identity within the local populace.
Technical/Grading: This bronze Tetrachalkon, weighing 8.63 grams and measuring 20.0 mm, exhibits typical characteristics of provincial coinage from the era. High-points for wear would include the highest relief areas on the obverse portrait (e.g., hair, nose, chin) and the musculature or mane on any animal reverse. Technical strike qualities vary, but often show some degree of off-centering or irregular flan shape, common for bronze issues. The strike pressure would determine the clarity of finer details, with full strikes revealing sharper features, while lesser strikes might show flatness in the lower relief areas or along the edges, indicative of die wear or hasty production.