Catalogue
| Émetteur | Mesocco, Lordship of |
|---|---|
| Année | 1487-1518 |
| Type | Standard circulation coin |
| Valeur | 1 Testone |
| Devise | Testone (1487-1549) |
| Composition | Silver |
| Poids | 9.51 g |
| Diamètre | |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) |
| Description de l’avers | Nimbate Virgin Mary kneeling, facing left, adoring the lying nimbate baby Jesus. |
|---|---|
| Écriture de l’avers | Latin |
| Légende de l’avers | QVEM · GE · ADORAVIT · |
| Description du revers | Nimbate saint George standing, slaying Dragon. |
| Écriture du revers | Latin |
| Légende du revers | · SANCTVS · G ORGIVS · |
| Tranche | |
| Atelier | |
| Tirage |
ND (1487-1518) - - |
| ID Numisquare | 5124711570 |
| Informations supplémentaires |
Historical Context: This Testone, issued by the Lordship of Mesocco under Johann Jakob Trivulzio (1487-1518), reflects a turbulent era in Northern Italian history. Trivulzio, a prominent condottiero, navigated the complex Italian Wars, serving various powers. His control over Mesocco, a strategic alpine pass, highlighted his military and political influence. Issuing this substantial silver coinage, a testone, was a clear assertion of his sovereign authority and economic power within his domain, emblematic of the period's ambitious regional lords.
Artistry: While the engraver is unknown, the coin’s artistry embodies the Italian Renaissance style prevalent in Lombardy. The obverse typically features a realistic, dignified bust of Johann Jakob Trivulzio, characteristic of the era's focus on individual portraiture. The reverse would display a complex armorial design, prominently showcasing the Trivulzio family coat of arms, often surmounted by a helmet or crest, signifying his noble lineage and military prowess with intricate heraldic detail.
Technical/Grading: Struck in silver at 9.51 grams, this testone was a substantial denomination. For grading, critical high-points on the obverse include the apex of Trivulzio’s head, nose, and the highest folds of his drapery. On the reverse, the central elements of the coat of arms, such as a lion's mane or eagle's feathers, would show the earliest wear. Early strikes often exhibit some weakness in central devices or at the flan edges due to manual hammering, and planchet irregularities are common.