Catalogo
| Emittente | Venusia |
|---|---|
| Anno | 210 BC - 200 BC |
| Tipo | Standard circulation coin |
| Valore | Quadrans (1/4) |
| Valuta | Nummus (circa 218-201 BC) |
| Composizione | Bronze |
| Peso | 5.94 g |
| Diametro | 24 mm |
| Spessore | |
| Forma | Round (irregular) |
| Tecnica | Hammered |
| Orientamento | Variable alignment ↺ |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | HN Italy#721 1#764-765 |
| Descrizione del dritto | Veiled head of Hera left; three pellets behind. |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | |
| Descrizione del rovescio | Three stars-in-crescents around central pellet. |
| Scrittura del rovescio | |
| Legenda del rovescio | |
| Bordo | |
| Zecca | |
| Tiratura |
ND (210 BC - 200 BC) - - |
| ID Numisquare | 5171441230 |
| Informazioni aggiuntive |
Historical Context: This Æ Teruncius from Venusia, struck 210-200 BC, emerges from the crucible of the Second Punic War. Venusia, a vital Roman colony in Apulia, endured immense pressure during Hannibal’s campaign in Italy. This coinage reflects the critical need for local currency to sustain the economy and war effort. Its Teruncius denomination underscores Venusia’s integration into the Roman monetary system, yet highlights its minting autonomy during this tumultuous period, showcasing the decentralized financial response to the Carthaginian threat.
Artistry: The stylistic school evident blends Hellenistic traditions, prevalent in Magna Graecia, with the utilitarian demands of wartime Roman-allied issues. While no specific engraver is recorded, the design typically featured a prominent deity or mythological figure on the obverse, reflecting Venusia's local cults or the broader Roman pantheon, such as Mercury or Apollo. The reverse commonly displayed an associated symbol. Artistry prioritized clarity and legibility over intricate detail, characteristic of issues produced under duress where rapid production was paramount.
Technical/Grading: Weighing 5.94 grams and measuring 24 millimeters, this bronze Teruncius represents a standard module for its time. High-points for wear typically include the highest relief elements of portraiture, such as hair, diadem, or facial features, and any prominent reverse design elements. Technical strike qualities often exhibit variability; flans could be irregularly shaped or slightly off-center due to rapid production. Evidence of die wear, minor casting flaws, and inconsistent strike pressure are common, reflecting the challenging circumstances of its minting during intense conflict.