目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Highly stylised derivative of a Macedonian wreath type, rendered in the abstract Celtic La Tène tradition. The field is divided by a prominent central vertical bar, flanked on either side by bold curvilinear motifs representing a degraded wreath with berry-like pellets and leaf forms. A sinuous, rounded wing motif occupies the upper right quadrant, while sweeping crescent and cloak-like striations fill the lower left, imparting a dynamic, almost swirling composition across the flan. No legend or inscription is present, consistent with the uninscribed issues of the Catuvellauni in this early period. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | A stylised horse prancing vigorously to the right, rendered in the distinctive disjointed Celtic manner with a beaded spine and sinuous body. A characteristic rounded wing motif appears prominently above the horse's back, one of the defining type-features of this issue. Below the horse, a pellet-centred annular sun symbol occupies the lower field, while additional abstract linear and pellet ornaments fill the surrounding space. The flan is irregular and slightly flan-cracked at the edges, typical of hammered British Iron Age gold coinage. No legend or inscription is present. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
The Catuvellauni occupied a substantial territory north of the Thames, and by the mid-first century BC their coinage was evolving rapidly under pressure from Caesar's two expeditions to Britain in 55 and 54 BC. The political disruption those invasions caused — even without permanent Roman occupation — accelerated the adoption of more abstract, fragmented designs as the original Macedonian stater prototype dissolved through successive generations of copying.
The rounded wing treatment that distinguishes this variety from related Catuvellaunian issues is a product of that degeneration sequence, not a deliberate artistic choice.