Stater Regenbogenschüsselchen II C Type

Emitent ​Vindelici
Rok 150 BC - 50 BC
Typ Standard circulation coin
Nominał 1 Stater (20)
Waluta Drachm
Skład Gold
Waga 7.38 g
Średnica
Grubość
Kształt Round (irregular)
Technika Hammered
Orientacja Variable alignment ↺
Rytownik(zy)
W obiegu do
Źródło(a) LT#9427, GCV#193
Opis awersu Bird`s head to left (beak between two pellets) within open wreath.
Pismo awersu
Legenda awersu
Opis rewersu Six pellets within torque.
Pismo rewersu
Legenda rewersu
Krawędź
Mennica
Nakład ND (150 BC - 50 BC) - -
ID Numisquare 9705241260
Dodatkowe informacje

Historical Context: The Stater Regenbogenschüsselchen II C Type was issued by the Vindelici, a Celtic tribe in southern Germany, during the late Iron Age (150 BC - 50 BC). This era marked a peak of Celtic cultural and economic independence before Roman expansion. These distinctive gold staters, known as "rainbow cups," served as high-value currency for trade, tribute, or prestige items. They reflect the Vindelici's advanced metallurgical skills and their place within the La Tène culture, with the "II C Type" denoting a specific series within this enigmatic coinage.

Artistry: The artistry of this Regenbogenschüsselchen is characteristic of late Celtic numismatic production, favoring profound abstraction. Lacking identified engravers, the stylistic school is inherently Celtic, transforming distant Macedonian prototypes into highly stylized, almost aniconic forms. The obverse typically features a convex surface with an abstract sun-wheel or stylized head, rendered with minimalist lines. The reverse presents the coin's defining concave "cup" shape, often adorned with geometric patterns, dots, or a central boss, embodying the unique symbolic visual language of the Vindelici.

Technical/Grading: This gold stater, weighing 7.38 gg, generally exhibits a robust strike, though variations common to Celtic issues, like slight off-centering or planchet irregularities, may occur. Key high-points for evaluation include the crispness of abstract motifs on the obverse, particularly the definition of central elements or peripheral dots. On the reverse, the depth and evenness of the concave depression are paramount, alongside the sharpness of any internal patterns. The intrinsic value of the high-purity gold was paramount, often outweighing perfect strike quality.

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