Katalog
| İhraççı | Maroneia |
|---|---|
| Yıl | 436 BC - 410 BC |
| Tür | Standard circulation coin |
| Değer | Silver Stater (2) |
| Para birimi | Drachm |
| Bileşim | Silver |
| Ağırlık | 14.25 g |
| Çap | |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | SNG Lockett#1193 |
| Ön yüz açıklaması | Free horse springing to left, above, crested helmet facing left and on the left, Σ |
|---|---|
| Ön yüz yazısı | Greek |
| Ön yüz lejandı | ΜΑΡΩΝ |
| Arka yüz açıklaması | Grape vine with four bunches of grapes and four leaves |
| Arka yüz yazısı | Greek |
| Arka yüz lejandı | ΕΠΙ ΠΟΣΙΔΗΙΟ |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (436 BC - 410 BC) - - |
| Numisquare Kimliği | 5741129600 |
| Ek bilgiler |
Historical Context: This silver stater from Maroneia, struck between 436 and 410 BC, situates it within the tumultuous Peloponnesian War era. Maroneia, a prosperous Greek city in Thrace, maintained significant economic power through its famed wine production and strategic coastal location. The name "Posideios" likely denotes a civic magistrate responsible for the coinage, reflecting the city's democratic governance during a period of complex regional politics and shifting alliances. Its consistent weight of 14.25 grams suggests adherence to a regional or Attic standard, facilitating inter-city trade.
Artistry: The artistic execution of this stater exemplifies the early High Classical style prevalent in Greek numismatics. While the engraver remains anonymous, the design typically features a masterful portrayal of Dionysus, often with a prominent grapevine, on the obverse, symbolizing Maroneia's viticultural wealth. The reverse commonly depicts a prancing horse, a motif reflecting Thracian equestrian traditions. The artistry emphasizes naturalism and idealized forms, characteristic of the transition from severe to high classical aesthetics.
Technical/Grading: From a technical perspective, assessing this stater involves evaluating several key elements. High-point wear would typically manifest on Dionysus's hair, forehead, and drapery folds, or on the horse's mane, musculature, and hooves. The strike quality is paramount; well-centered examples with full details on both sides, free from significant die breaks or flan irregularities, are highly prized. The substantial relief often results in some areas of weakness if the strike pressure was insufficient.