Catalog
| Issuer | Kings of Lydia |
|---|---|
| Year | 560 BC - 546 BC |
| Type | Standard circulation coin |
| Value | ⅙ Stater |
| Currency | Drachm |
| Composition | Gold |
| Weight | 1.32 g |
| Diameter | 8 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered, Incuse |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | Berk#8, GCV#3417 |
| Obverse description | Lion forepart to the right, facing a bull forepart to the left. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Two incuse square punches. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (560 BC - 546 BC) - - |
| Numisquare ID | 4136786050 |
| Additional information |
Historical Context: Issued by Kroisos (Croesus), the last king of Lydia, between 560 and 546 BC, this ⅙ stater represents a pivotal moment in monetary history. Kroisos is celebrated for establishing the world's first standardized bimetallic coinage system, utilizing the abundant gold from the Pactolus river. This "light type" series, slightly adjusted from his initial issues, underpinned Lydia's immense wealth and facilitated extensive trade across the ancient world, solidifying royal economic control.
Artistry: The obverse design features the confronting protomes of a lion and a bull, an iconic motif of Lydian coinage. While the engraver remains anonymous, the stylistic school reflects an early Archaic Greek influence combined with indigenous Lydian artistry. The powerful imagery is often interpreted as symbolizing royal strength and fertility, or perhaps the sun and moon. Despite the coin's diminutive size, the design is bold and dynamically fills the small flan.
Technical/Grading: Weighing 1.32 grams and measuring 8 millimeters, this gold fraction typically presents strike challenges common to early coinage. High-points include the lion's mane and eye, and the bull's head and horns, which are often the first areas to show wear. Strikes are frequently off-center, resulting in partial designs. The small, thick flans can be irregularly shaped, and fine details, though present in well-struck examples, are often softly rendered or lost due to wear and imperfect striking pressure.