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Stater 'Clacton type 1'

Uitgever Brittonic, Uncertain tribe
Jaar 100 BC - 40 BC
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Sp#26, ABC#2332, Mack#47, GCV#160
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Stylised disjointed horse galloping to the right, its body and limbs rendered as abstracted curved and straight elements in characteristic British Celtic style. Above the horse, a arc of large pellets arranged in a crescent formation dominates the upper field, accompanied by additional loose pellets. Below and around the horse appear a wheel or solar symbol with radiating spokes, a ringed pellet, a curved bow or crescent motif to the lower left, and linear striated elements to the lower right. The composition is anepigraphic, with no legend or mintmark, and reflects the abstract La Tène artistic tradition as applied to insular British coinage.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage ND (100 BC - 40 BC)
Aanvullende informatie

The "Clacton type" classification groups a cluster of early British gold staters whose find distribution centres heavily on Essex and the Thames estuary — a pattern suggesting they circulated among tribes occupying that coastal corridor before clearer regional identities solidified in the numismatic record. Attribution remains genuinely contested; the "uncertain tribe" designation is not a placeholder but an honest reflection of the scholarly position. No issuing authority has been convincingly matched to this specific die grouping.

These derive ultimately from Macedonian gold of Philip II, transmitted through Gaulish intermediaries across several generations of stylistic degradation before reaching British soil.

MISSCHIEN OOK INTERESSANT