Katalog
| Emitent | Arverni |
|---|---|
| Rok | 150 BC - 60 BC |
| Typ | Standard circulation coin |
| Hodnota | 1 Stater |
| Měna | |
| Složení | Gold |
| Hmotnost | 7.4 g |
| Průměr | 17.5 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Variable alignment ↺ |
| Rytci | |
| V oběhu do | |
| Reference | LT#5281, DT#3378, Castelin#461 |
| Popis líce | Head of Apollo facing left. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Chariot pulled by horse trotting left, lyre below. |
| Písmo rubu | |
| Opis rubu | |
| Hrana | |
| Mincovna | |
| Náklad |
ND (150 BC - 60 BC) - - |
| ID Numisquare | 6192852350 |
| Další informace |
Historical Context: This gold stater, issued by the powerful Arverni tribe between 150 BC and 60 BC, marks a critical era in Gallic history. Dominant in central Gaul, the Arverni faced increasing Roman influence and inter-tribal conflicts. Gold staters were crucial for their economy, facilitating high-value trade, tribute, and military payments. This coinage reflects their economic strength and political independence, showcasing a sophisticated pre-Roman monetary system before Caesar's conquest.
Artistry: The coin's design, featuring a charioteer facing left and a lyre, exemplifies the distinct Celtic interpretation of Hellenistic prototypes. Arverni engravers transformed Macedonian stater motifs into a dynamic, highly stylized art form. The charioteer, a common Celtic motif, is rendered with characteristic abstraction, emphasizing movement and symbolic power over naturalism. The lyre is a notable feature, potentially alluding to specific religious beliefs, cultural practices, or a localized deity, adding a unique iconographic layer.
Technical/Grading: Struck in gold, this stater weighs 7.4 grams and measures 17.5 millimeters, adhering to established monetary standards. High-points for preservation include the intricate details of the charioteer's figure, the horses' forms, and the distinct rendering of the lyre. Due to ancient manufacturing, variations in strike quality, planchet shape, and centering are common. A well-struck example exhibits strong relief on both sides, with minimal die wear or planchet imperfections, allowing clear appreciation of its sophisticated Celtic artistry.