目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | A highly stylised, disjointed horse depicted in profile facing right, rendered in the abstract Celtic artistic tradition typical of late Iron Age British coinage. The horse is deconstructed into curvilinear and geometric elements, with a distinctive triple-tail fanning behind. A spoked wheel, a solar symbol characteristic of Atrebatic coinage, is positioned beneath the horse. The surrounding field is populated with a variety of ornamental devices including pellets, crescents, and linear motifs, with a prominent zigzag or wave pattern forming a border along the lower edge of the flan. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
The Atrebates were a Belgic tribe straddling both sides of the Channel, and their British coinage tradition descended from the gold staters of Philip II of Macedon that spread westward through Gaul as military pay and trade currency. The 'B' classification within the Atrebatic stater sequence reflects a stylistic degeneration from the original Macedonian prototype — a process that unfolded over generations of local die-cutting, progressively abstracting the original imagery into the curvilinear vocabulary native to British Celtic metalwork.
The forty-year production window spans Caesar's Gallic campaigns and their direct aftermath, a period that severed or complicated cross-Channel tribal networks the Atrebates had long relied upon.