Katalog
| Emittent | Olympia |
|---|---|
| Jahr | 448 BC - 432 BC |
| Typ | Standard circulation coin |
| Nennwert | 1 Stater = 3 Drachm |
| Währung | Drachm |
| Material | Silver |
| Gewicht | 9.56 g |
| Durchmesser | |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered, Incuse |
| Ausrichtung | |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | Seltman Temple#91 |
| Aversbeschreibung | Eagle flying right, grasping hare with talons and beak |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Nike seated right, holding wreath and all within incuse square |
| Reversschrift | |
| Reverslegende | |
| Rand | |
| Prägestätte | |
| Auflage |
ND (448 BC - 432 BC) - - |
| Numisquare-ID | 1317108910 |
| Zusätzliche Informationen |
Historical Context: This silver stater, issued by the Elean authorities for the Olympic Games between 448 BC and 432 BC (83rd-87th Olympiads), originates from a crucial period in Classical Greece. Coinciding with the zenith of Athenian influence and the prelude to the Peloponnesian War, Olympia maintained its sacred, neutral status. These substantial coins financed the immense economic activity of the quadrennial festivals, serving as an internationally recognized currency for pilgrims and athletes, underscoring Olympia's enduring cultural and religious significance.
Artistry: Though specific engravers remain anonymous, this stater exemplifies the developing High Classical style. The obverse typically presents a majestic, laureate head of Zeus, rendered with idealized features and a serene expression, reflecting the monumental sculpture of the era. The reverse commonly depicts a powerful eagle, often standing on a capital or grasping a thunderbolt, symbolizing Zeus's dominion. The design elements exhibit robust modeling, showcasing a transition towards greater naturalism and sculptural depth, characteristic of mid-5th century BC Greek numismatics.
Technical/Grading: Struck on a substantial 9.56 gram silver flan, this stater demanded considerable striking force. High-points prone to wear or weakness include Zeus's hair curls, the tip of his nose, and the eagle's breast and wing tips. Early Classical dies could exhibit variability in centering and strike pressure, leading to occasional off-center strikes or areas of flatness. However, well-preserved examples demonstrate strong relief and crisp detail, indicating careful planchet preparation and robust die engraving, consistent with Seltman Temple#91.