カタログ
| 発行体 | Olympia |
|---|---|
| 年号 | 448 BC - 432 BC |
| 種類 | Standard circulation coin |
| 額面 | 1 Stater = 3 Drachm |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 9.56 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered, Incuse |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Seltman Temple#91 |
| 表面の説明 | Eagle flying right, grasping hare with talons and beak |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Nike seated right, holding wreath and all within incuse square |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (448 BC - 432 BC) - - |
| Numisquare ID | 1317108910 |
| 追加情報 |
Historical Context: This silver stater, issued by the Elean authorities for the Olympic Games between 448 BC and 432 BC (83rd-87th Olympiads), originates from a crucial period in Classical Greece. Coinciding with the zenith of Athenian influence and the prelude to the Peloponnesian War, Olympia maintained its sacred, neutral status. These substantial coins financed the immense economic activity of the quadrennial festivals, serving as an internationally recognized currency for pilgrims and athletes, underscoring Olympia's enduring cultural and religious significance.
Artistry: Though specific engravers remain anonymous, this stater exemplifies the developing High Classical style. The obverse typically presents a majestic, laureate head of Zeus, rendered with idealized features and a serene expression, reflecting the monumental sculpture of the era. The reverse commonly depicts a powerful eagle, often standing on a capital or grasping a thunderbolt, symbolizing Zeus's dominion. The design elements exhibit robust modeling, showcasing a transition towards greater naturalism and sculptural depth, characteristic of mid-5th century BC Greek numismatics.
Technical/Grading: Struck on a substantial 9.56 gram silver flan, this stater demanded considerable striking force. High-points prone to wear or weakness include Zeus's hair curls, the tip of his nose, and the eagle's breast and wing tips. Early Classical dies could exhibit variability in centering and strike pressure, leading to occasional off-center strikes or areas of flatness. However, well-preserved examples demonstrate strong relief and crisp detail, indicating careful planchet preparation and robust die engraving, consistent with Seltman Temple#91.