Stater

Emittent ​Vindelici
Jahr 150 BC - 50 BC
Typ Standard circulation coin
Nennwert 1 Stater (20)
Währung Drachm
Material Gold
Gewicht 7.61 g
Durchmesser 16.5 mm
Dicke
Form Round (irregular)
Prägetechnik Hammered
Ausrichtung Variable alignment ↺
Stempelschneider
Im Umlauf bis
Referenz(en) LT#9441
Aversbeschreibung Triskeles within a wreath like torc with an annulet at each open end.
Aversschrift
Averslegende
Reversbeschreibung Pyramid of eight annulets: five, on the bottom, each enclosing a pellet, and three, forming the top two rows, each enclosing a smaller annulet; all within a wavy torc.
Reversschrift
Reverslegende
Rand
Prägestätte
Auflage ND (150 BC - 50 BC) - -
Numisquare-ID 6205193320
Zusätzliche Informationen

Historical Context: This gold Stater was issued by the Vindelici, a prominent Celtic tribe in what is now southern Bavaria, during the late Iron Age (150 BC - 50 BC). This era predates Roman conquest, representing a zenith of Celtic tribal autonomy and economic activity. Such staters served as high-value currency for inter-tribal trade and prestige, reflecting the sophisticated monetary systems developed by the Vindelici. Their distinct coinage underscores their cultural identity and economic independence in a rapidly changing European landscape.

Artistry: Attributed to anonymous tribal die-cutters, this stater exemplifies the unique Celtic artistic tradition. Departing from Hellenistic prototypes, the design showcases a highly abstract and stylized aesthetic. Vindelici staters, including LT#9441, often feature a deeply concave fabric, with the obverse typically displaying a highly fragmented or abstract human head. The reverse commonly presents a similarly abstract motif, such as a stylized star, triskele, or disembodied elements, reflecting a distinct indigenous interpretation.

Technical/Grading: Weighing 7.61 grams and measuring 16.5 mm, this gold stater conforms to the established metallurgical standards of the Vindelici. Key technical qualities include the characteristic concave fabric, which often results in central design elements being less sharply rendered than the outer field. High-points for evaluation typically involve the clarity of the abstract motifs on both sides, ensuring discernible stylized features despite the often uneven strike inherent to these issues. Surface preservation, free from significant marks, is paramount for optimal grading.

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