Stater

Issuer ​Vindelici
Year 150 BC - 50 BC
Type Standard circulation coin
Value 1 Stater (20)
Currency Drachm
Composition Gold
Weight 7.61 g
Diameter 16.5 mm
Thickness
Shape Round (irregular)
Technique Hammered
Orientation Variable alignment ↺
Engraver(s)
In circulation to
Reference(s) LT#9441
Obverse description Triskeles within a wreath like torc with an annulet at each open end.
Obverse script
Obverse lettering
Reverse description Pyramid of eight annulets: five, on the bottom, each enclosing a pellet, and three, forming the top two rows, each enclosing a smaller annulet; all within a wavy torc.
Reverse script
Reverse lettering
Edge
Mint
Mintage ND (150 BC - 50 BC) - -
Numisquare ID 6205193320
Additional information

Historical Context: This gold Stater was issued by the Vindelici, a prominent Celtic tribe in what is now southern Bavaria, during the late Iron Age (150 BC - 50 BC). This era predates Roman conquest, representing a zenith of Celtic tribal autonomy and economic activity. Such staters served as high-value currency for inter-tribal trade and prestige, reflecting the sophisticated monetary systems developed by the Vindelici. Their distinct coinage underscores their cultural identity and economic independence in a rapidly changing European landscape.

Artistry: Attributed to anonymous tribal die-cutters, this stater exemplifies the unique Celtic artistic tradition. Departing from Hellenistic prototypes, the design showcases a highly abstract and stylized aesthetic. Vindelici staters, including LT#9441, often feature a deeply concave fabric, with the obverse typically displaying a highly fragmented or abstract human head. The reverse commonly presents a similarly abstract motif, such as a stylized star, triskele, or disembodied elements, reflecting a distinct indigenous interpretation.

Technical/Grading: Weighing 7.61 grams and measuring 16.5 mm, this gold stater conforms to the established metallurgical standards of the Vindelici. Key technical qualities include the characteristic concave fabric, which often results in central design elements being less sharply rendered than the outer field. High-points for evaluation typically involve the clarity of the abstract motifs on both sides, ensuring discernible stylized features despite the often uneven strike inherent to these issues. Surface preservation, free from significant marks, is paramount for optimal grading.

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