Catalogus
| Uitgever | Axos |
|---|---|
| Jaar | 400 BC - 300 BC |
| Type | Standard circulation coin |
| Waarde | Silver Stater (3) |
| Valuta | Drachm |
| Samenstelling | Silver |
| Gewicht | 11.70 g |
| Diameter | 25 mm |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | Variable alignment ↺ |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) |
| Beschrijving voorzijde | Young beardless head right with short cropped hair. |
|---|---|
| Schrift voorzijde | |
| Opschrift voorzijde | |
| Beschrijving keerzijde | Tripod with handles and animal feet. |
| Schrift keerzijde | |
| Opschrift keerzijde | |
| Rand | |
| Muntplaats | |
| Oplage |
ND (400 BC - 300 BC) - - |
| Numisquare-ID | 5141386090 |
| Aanvullende informatie |
Historical Context: This silver stater hails from Axos, an influential inland city-state on Crete, active between 400 and 300 BC. This period spans the late Classical and early Hellenistic eras, marked by political flux across the Greek world. As an autonomous polis, Axos issued coinage for trade, asserting its sovereignty. The absence of a named ruler signifies a civic issue, reflecting the typical governance of Greek city-states, whose prosperity stemmed from agriculture and strategic control of internal routes.
Artistry: While the engraver remains anonymous, the coin’s design adheres to the refined Classical Greek stylistic school, characterized by naturalism and idealized forms. Typical Axian staters from this period often feature a prominent deity on the obverse, such as a laureate head of Zeus or Apollo, rendered with meticulous detail. The reverse commonly depicts a local emblem, perhaps an eagle or a nymph, executed with balanced composition, reflecting the high standards of Cretan numismatic art.
Technical/Grading: Weighing 11.70 gg and measuring 25 mm, this silver stater demonstrates substantial metallic value. Key high-points susceptible to wear typically include the highest relief areas, such as the hair and diadem of the obverse deity and the details of the reverse motif. A well-struck example exhibits sharp details, particularly in the fine lines of the portraiture, with good centering and a full, round flan. Variations in strike quality, including off-centering or die wear, are common due to ancient minting processes.