Stater

发行方 Sybrita
年份 320 BC
类型 Standard circulation coin
面值 Silver Stater (3)
货币 Drachm
材质 Silver
重量 10.79 g
直径
厚度
形状 Round (irregular)
制作工艺 Hammered
方向
雕刻师
流通至
参考资料 SvoronosCr#4, Kraay&Hirm#555
正面描述 Bearded head of Dionysos facing right, wearing a wreath of vine leaves. To his right, a bunch of grapes.
正面文字
正面铭文
背面描述 Head of Hermes facing right, wearing a petasos and chlamys. To his right, a kerykeion and an inscription around him.
背面文字 Greek
背面铭文 ΣΥΒΡΙΤΙΩΝ
边缘
铸币厂
铸造量 ND (-320) - -
Numisquare 编号 3985052600
附加信息

Historical Context: This silver stater, struck by the Cretan city of Sybrita circa 320 BC, hails from a pivotal era. Following Alexander the Great's death, Crete's independent city-states navigated a complex geopolitical landscape. Sybrita, though not among the most powerful Cretan poleis, maintained its autonomy and economic vitality, evidenced by its coinage. This stater served as a crucial medium for local commerce, trade, and potentially mercenary payments, a common practice among Cretan cities, underscoring its regional economic role.

Artistry: The anonymous engraver operated within Late Classical Greek numismatic traditions, with distinct Cretan interpretations. Sybrita's coinage frequently features Dionysiac themes. Typically, the obverse presents a finely rendered head of Dionysus, often youthful and ivy-crowned, displaying soft modeling and expressive qualities. The reverse commonly depicts an eagle, often in flight or standing, its feathers meticulously detailed, showcasing naturalism and idealized form reflective of Hellenic die-cutting standards.

Technical/Grading: Weighing 10.79 grams, this stater closely conforms to the established weight standard for Cretan issues. High points susceptible to wear typically include the forehead, hair, and cheek of the obverse deity, and the breast and wingtips of the eagle on the reverse. A well-struck example exhibits sharp detail in these areas, with a strong impression of the ivy wreath. Technical strike quality often varies; minor off-centering or areas of flatness are not uncommon, yet a good strike reveals the full artistic intent.

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