目录
| 发行方 | Sybrita |
|---|---|
| 年份 | 320 BC |
| 类型 | Standard circulation coin |
| 面值 | Silver Stater (3) |
| 货币 | Drachm |
| 材质 | Silver |
| 重量 | 10.79 g |
| 直径 | |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | SvoronosCr#4, Kraay&Hirm#555 |
| 正面描述 | Bearded head of Dionysos facing right, wearing a wreath of vine leaves. To his right, a bunch of grapes. |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Head of Hermes facing right, wearing a petasos and chlamys. To his right, a kerykeion and an inscription around him. |
| 背面文字 | Greek |
| 背面铭文 | ΣΥΒΡΙΤΙΩΝ |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (-320) - - |
| Numisquare 编号 | 3985052600 |
| 附加信息 |
Historical Context: This silver stater, struck by the Cretan city of Sybrita circa 320 BC, hails from a pivotal era. Following Alexander the Great's death, Crete's independent city-states navigated a complex geopolitical landscape. Sybrita, though not among the most powerful Cretan poleis, maintained its autonomy and economic vitality, evidenced by its coinage. This stater served as a crucial medium for local commerce, trade, and potentially mercenary payments, a common practice among Cretan cities, underscoring its regional economic role.
Artistry: The anonymous engraver operated within Late Classical Greek numismatic traditions, with distinct Cretan interpretations. Sybrita's coinage frequently features Dionysiac themes. Typically, the obverse presents a finely rendered head of Dionysus, often youthful and ivy-crowned, displaying soft modeling and expressive qualities. The reverse commonly depicts an eagle, often in flight or standing, its feathers meticulously detailed, showcasing naturalism and idealized form reflective of Hellenic die-cutting standards.
Technical/Grading: Weighing 10.79 grams, this stater closely conforms to the established weight standard for Cretan issues. High points susceptible to wear typically include the forehead, hair, and cheek of the obverse deity, and the breast and wingtips of the eagle on the reverse. A well-struck example exhibits sharp detail in these areas, with a strong impression of the ivy wreath. Technical strike quality often varies; minor off-centering or areas of flatness are not uncommon, yet a good strike reveals the full artistic intent.