Katalog
| Emitent | Aetolian League |
|---|---|
| Rok | 220 BC - 205 BC |
| Typ | Standard circulation coin |
| Nominał | Gold Stater (20) |
| Waluta | Drachm |
| Skład | Gold |
| Waga | 8.48 g |
| Średnica | |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered |
| Orientacja | Variable alignment ↺ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | Tsangari#561 |
| Opis awersu | Helmeted head of Athena right; serpent on helmet |
|---|---|
| Pismo awersu | |
| Legenda awersu | |
| Opis rewersu | Aetolia seated right on pile of shields, holding spear and Nike; tripod before; monograms in exergue |
| Pismo rewersu | Greek |
| Legenda rewersu |
AITΩΛΩN (Translation: Aitolia) |
| Krawędź | |
| Mennica | |
| Nakład |
ND (220 BC - 205 BC) - - |
| ID Numisquare | 2658420930 |
| Dodatkowe informacje |
Historical Context: The Aetolian League gold stater, issued 220-205 BC, originates from a tumultuous Hellenistic period. This era saw the League's struggle against Philip V of Macedon during the Social War and their alliance with Rome in the First Macedonian War. The rare gold issuance by a Greek federal state, not a monarch, underscores significant military expenditures, likely funding crucial mercenary armies. These staters were vital for projecting power amidst regional conflicts.
Artistry: The stater's design exemplifies the refined Hellenistic style of the late 3rd century BC. While the engraver remains anonymous, the artistry reflects the period's emphasis on idealized realism. The obverse typically features a finely rendered bust of a prominent deity, such as Artemis, often with a hunting attribute like a quiver, embodying the Aetolian people's martial spirit. The reverse frequently showcases the eponymous hero Aetolos or a distinctively Aetolian emblem, executed with precision and dynamic composition.
Technical/Grading: This gold stater, weighing 8.48 grams, exhibits careful craftsmanship typical of high-value ancient coinage. Key areas for assessing strike quality and wear include the highest points of the obverse portrait: hair strands, forehead, and prominent headdress features. On the reverse, details of the figure's musculature or the emblem's intricacies are particularly vulnerable to abrasion. A well-struck example displays full detail on these areas, often with a centered strike and minimal die wear or flan imperfections.