Æ - Stasioikos II

Emittente Marion
Anno 315 BC - 312 BC
Tipo Standard circulation coin
Valore
Valuta Drachm
Composizione Bronze
Peso 2.98 g
Diametro 15 mm
Spessore 1 mm
Forma Round (irregular)
Tecnica Hammered
Orientamento Variable alignment ↺
Incisore/i
In circolazione fino al
Riferimento/i BMC Greek#6
Descrizione del dritto Head of Aphrodite right, wearing myrtle-wreath.
Scrittura del dritto
Legenda del dritto
Descrizione del rovescio Ankh with pellet in ring: the whole in wreath.
Scrittura del rovescio
Legenda del rovescio
Bordo
Zecca
Tiratura ND (315 BC - 312 BC) - -
ID Numisquare 2863964260
Informazioni aggiuntive

Historical Context: This Æ issue belongs to Stasioikos II, the final king of Marion, a Cypriot city-kingdom, minted 315-312 BC. This period was marked by the turbulent Diadochi Wars, with Cyprus a strategic prize contested by Antigonos I Monophthalmos and Ptolemy I Soter. Stasioikos II's alliance with Antigonos ultimately led to Marion's destruction by Ptolemy in 312 BC. Such bronze coinage underscores the king's assertion of sovereignty and the practical need for fractional currency amidst intense geopolitical flux.

Artistry: The engraver remains anonymous, typical for bronze issues of this era. The coin's artistry reflects Cypriot numismatic tradition, influenced by early Hellenistic styles. The obverse likely depicted a prominent deity, perhaps Apollo or Aphrodite, rendered robustly for a small flan. The reverse would feature a civic or royal emblem, like a lyre or quiver, or a royal monogram. The design prioritized legibility and clear identification over intricate detail, blending local conventions with broader Hellenistic aesthetics.

Technical/Grading: Weighing 2.98 grams and 15 millimeters, this bronze coin is a small, utilitarian module. High-points prone to wear include the hair, nose, and chin of any obverse portrait, and the raised elements of the reverse device. Technical strike quality varied; flans were often less meticulously prepared, leading to irregularities. Strikes could be less forceful or off-center, resulting in areas of flatness. A superior example would exhibit a relatively full design on a compact, well-centered flan.

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